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閨閣與禮闈:盛昱《紅樓夢賦圖冊》的兩個批評視角
Alternative TitleBoudoir and Imperial Examination:On theTwo Critical Perspectives of ShengYu's Hongloumeng Fu Tuce
王思豪
2020-07-15
Source Publication民族文學研究
ISSN1002-9559
Volume38Issue:4Pages:92-102
Abstract

盛昱《紅樓夢賦圖冊》是由《紅樓夢》小說“元典”到題詠之作沈謙《紅樓夢賦》,再到由賦之“語像”而形成的、異於直接從小說文本衍生而出的“圖像”之作。因“賦”的滲入而使小說與圖像產生距離感,這便在從“語像”到“圖像”的演變過程中被賦予“閨閣昭傳”與“移情”禮闈的文化內涵,實現由“我注紅樓”到“紅樓注我”的轉化。

Keyword沈谦 盛昱 红楼梦赋图册 礼闱
URLView the original
Indexed ByCSSCI
Language中文Chinese
Funding ProjectProbing into the Application of the Book of Songs in Fu of Han Dynasty
The Source to ArticlePB_Publication
Document TypeJournal article
CollectionDEPARTMENT OF CHINESE LANGUAGE AND LITERATURE
Corresponding Author王思豪
AffiliationUniversity of Macau
First Author AffilicationUniversity of Macau
Corresponding Author AffilicationUniversity of Macau
Recommended Citation
GB/T 7714
王思豪. 閨閣與禮闈:盛昱《紅樓夢賦圖冊》的兩個批評視角[J]. 民族文學研究, 2020, 38(4), 92-102.
APA 王思豪.(2020). 閨閣與禮闈:盛昱《紅樓夢賦圖冊》的兩個批評視角. 民族文學研究, 38(4), 92-102.
MLA 王思豪."閨閣與禮闈:盛昱《紅樓夢賦圖冊》的兩個批評視角".民族文學研究 38.4(2020):92-102.
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