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骚·诔·赋:《芙蓉女儿诔》的 文体学演进理路
Alternative TitleLi Sao, Lei and Fu: On the Stylistic Evolution of Furong Nv’er Lei
王思豪
2021-03-15
Source Publication红楼梦学刊
ISSN1001-7917
Issue2Pages:86-103
Abstract

从“文体皆备”于“六经”到《红楼梦》“文备众体”,这是考察中国文体学演进的一条重要理路。作为《红楼梦》“全书诗词歌赋之冠冕”的《芙蓉女儿诔》大量引用《楚辞》而不取《诗经》,在中国文学的诗、骚传统中弃“诗”取“骚”,有违“宗经”之旨、“尚实”之意、“四言”之体,以“骚”言代“诗”言,打破诔文“正体”礼制规范。这种突破选择在“文备众体”的小说虚构情境中完成,再加上后代文士在《红楼》续书和《红楼》题咏中又以祭文、碑文、辞赋等众体对诔文进行仿写,进一步强化由“经学”而“红学”的文体学理路演进。

Keyword《詩經》 《离骚》 《芙蓉女儿诔》 文体学
URLView the original
Indexed ByCSSCI
Language中文Chinese
The Source to ArticlePB_Publication
PUB ID56575
Document TypeJournal article
CollectionDEPARTMENT OF CHINESE LANGUAGE AND LITERATURE
AffiliationUniversity of Macau
First Author AffilicationUniversity of Macau
Recommended Citation
GB/T 7714
王思豪. 骚·诔·赋:《芙蓉女儿诔》的 文体学演进理路[J]. 红楼梦学刊, 2021(2), 86-103.
APA 王思豪.(2021). 骚·诔·赋:《芙蓉女儿诔》的 文体学演进理路. 红楼梦学刊(2), 86-103.
MLA 王思豪."骚·诔·赋:《芙蓉女儿诔》的 文体学演进理路".红楼梦学刊 .2(2021):86-103.
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