Status | 已發表Published |
Picturing a Posthuman Identity: Personhood, Affect and Companionship Ethics in Mary Liddell’s Little Machinery and Shaun Tan’s The Lost Thing | |
You, C. | |
2018-05-20 | |
Source Publication | Posthumanism in Fantastic Fiction |
Publisher | Creative Commons |
Pages | 133-147 |
Abstract | This article explores how the representation of technologically enhanced embodiments allow us to relate to posthuman identity’s different forms – including anthropomorphic manifestations of machines, cyborgs, and hybrids. I shall argue that through a nuanced endowment of personhood and its accompanying emotive/affective structure, representations of posthuman identities in modern picturebooks, particularly in Mary Liddell’s Little Machinery (1926) and Shaun Tan’s The Lost Thing (2004), undergo a pictorial shift from romanticizing the machine to celebrating a cyborgized republic grounded in companionship ethics. |
Keyword | posthumanism machine animism cyborg personhood Shaun Tan |
URL | View the original |
Language | 英語English |
ISBN | 9786155423468 |
The Source to Article | PB_Publication |
PUB ID | 52508 |
Document Type | Book chapter |
Collection | DEPARTMENT OF ENGLISH |
Recommended Citation GB/T 7714 | You, C.. Picturing a Posthuman Identity: Personhood, Affect and Companionship Ethics in Mary Liddell’s Little Machinery and Shaun Tan’s The Lost Thing[M]. Posthumanism in Fantastic Fiction:Creative Commons, 2018, 133-147. |
APA | You, C..(2018). Picturing a Posthuman Identity: Personhood, Affect and Companionship Ethics in Mary Liddell’s Little Machinery and Shaun Tan’s The Lost Thing. Posthumanism in Fantastic Fiction, 133-147. |
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