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| Hong Kong screenscapes: From the new wave to the digital frontier Book
Cheung，Esther M.K., Marchetti，Gina, See-Kam，Tan. Hong Kong screenscapes: From the new wave to the digital frontier[M], 2011, 1-296.
Authors: Cheung，Esther M.K. ; Marchetti，Gina; See-Kam，Tan
  Favorite | | Submit date：2019/10/08 |
| Surfing with the surreal in Tsui Hark's wave: Collage practice, diasporic hybrid texts, and flexible citizenship Other
2011-01-01
Authors: See-Kam,Tan
Favorite | | Submit date：2019/10/08 |
| Hong Kong screenscapes: An introduction Other
2011-01-01
Authors: Cheung,Esther M.K.; Marchetti,Gina; See-Kam,Tan
Favorite | | Submit date：2019/10/08 |
| Global Hollywood, Narrative Transparency, and Chinese Media Poachers: Narrating Cross-Cultural Negotiations of Friends in South China Other
2011-01-01
Authors: See Kam Tan
Favorite | TC[WOS]:8 TC[Scopus]:17 | Submit date：2020/11/17
Global Hollywood Media Poachers Narrative Transparency Mythotypes Sexual Permissiveness Cultural Difference |
| From South Pacific to Shanghai Blues: No film is an island Other
2006-12-20
Authors: Kam,Tan See
Favorite | TC[Scopus]:0 | Submit date：2019/10/08 |
| Hong Kong film Hollywood and new global cinema: No film is an island Other
2006-12-20
Authors: Marchetti,Gina; Kam,Tan See
Favorite | TC[WOS]:30 TC[Scopus]:0 | Submit date：2019/10/08 |
| Introduction: Hong Kong cinema and global change Book chapter
出自: Hong Kong Film Hollywood and New Global Cinema: No Film is an Island:Routledge Taylor & Francis Group, 2006, 页码:1-9
Authors: Marchetti,Gina; Kam,Tan See
Favorite | TC[WOS]:5 TC[Scopus]:0 | Submit date：2019/10/08 |
| The Cross-Gender Performances of Yam Kim-Fei, or the Queer Factor in Postwar Hong Kong Cantonese Opera/Opera Films Book chapter
出自: Queer Asian Cinema Shadows in the Shade:The Haworth Press, 2000, 页码:201-211
Authors: See-Kam Tan
Favorite | | Submit date：2020/12/28 |
