Nushu, women's script, is believed to have been created and practiced exclusively by women in the Shangjiangxu Township, Jiangyong County, Hunan Province, China for some hundred years. Through a set of unique matriarchal scripts, these women developed a tradition of storytelling, orally in chants, in embroidery, and in written form. They had produced abundant records of their stories in the form of either a biography or an autobiography, which shows a valid representation of their genealogy, a vital condition informing women's identity. I am taking the form of an autobiography, an interdisciplinary practice, as a disrupting challenge of conventions to reveal fragments of the stories of some of these women I visited in the region. With a singular she throughout the writing, I have attempted to resist from all patriarchal definitions and appropriations: she is fluid, she is in flux, she is multiple, and she cannot be fixed. She is one and all. She is fragmentary and a whole.