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Traces – Drawing . Objects Book
Lo, Y. Y. P.. Traces – Drawing . Objects[M]. Hong Kong:Arts Empowering Lab/Macau and Mosses/Hong Kong, 2019.
Authors:  Lo, Y. Y. P.
Favorite |  | Submit date：2022/08/29
Traces  drawing  artefacts  women  language  nüshu  art practice: gender difference  
A drawing project and beyond – an artist’s project Journal article
Lo, Y. Y. P.. A drawing project and beyond – an artist’s project[J]. Visual Resources – An International Journal on Images and Their Uses, 2017, 33(3-4), 385-418.
Authors:  Lo, Y. Y. P.
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Drawing  Women  Language  Nüshu  Art Practice: Sexual Difference  
A drawing project & beyond-an artist's project Journal article
Lo,Yuen Yi. A drawing project & beyond-an artist's project[J]. VISUAL RESOURCES, 2017, 33(3-4), 385-418.
Authors:  Lo,Yuen Yi
Favorite | TC[Scopus]:0  IF:0.3/0.2 | Submit date：2019/08/09
Art Practice  China  Drawing  Gender Difference  Jiangyong County  Language  Nüshu  Women  
Research praxis in drawing: the visible and the invisible “Chineseness” Journal article
Lo, Y. Y. P.. Research praxis in drawing: the visible and the invisible “Chineseness”[J]. Journal of Contemporary Chinese Art, 2016, 153-168.
Authors:  Lo, Y. Y. P.
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drawing  Chinese language  nüshu  Chineseness  art practice  sexual difference  
She chants, she forgets, she goes on – an account of the practice of the dying women’s script, nüshu and her stimulus to the manifestations of creative drawing work Conference paper
Lo, Y. Y. P.. She chants, she forgets, she goes on – an account of the practice of the dying women’s script, nüshu and her stimulus to the manifestations of creative drawing work[C], 2016.
Authors:  Lo, Y. Y. P.
Favorite |  | Submit date：2022/08/30
nüshu  women’s script  forgotten  memory  chanting  writing  drawing practice  women’s culture  sexual difference  
She chants, she forgets, she goes on – an account of the practice of the dying women’s script, nüshu and her stimulus to the manifestations of creative drawing work Conference paper
Lo, Y. Y. P.. She chants, she forgets, she goes on – an account of the practice of the dying women’s script, nüshu and her stimulus to the manifestations of creative drawing work[C], 2016.
Authors:  Lo, Y. Y. P.
Favorite |  | Submit date：2022/08/29
nüshu  women’s script  forgotten  memory  chanting  writing  drawing practice  women’s culture  sexual difference  
Drawing the visibility and the invisibility of a room - A Personal Essay Journal article
Lo, Y. Y. P.. Drawing the visibility and the invisibility of a room - A Personal Essay[J]. Wasafiri, 2015, 24-33.
Authors:  Lo, Y. Y. P.
Favorite |   IF:0.3/0.2 | Submit date：2022/08/29
Drawing  a room  nushu  women’s script  women’s art practice  sexual difference  
Drawing the visibility and the invisibility of a room: a personal essay Journal article
Lo, Y. Y. P.. Drawing the visibility and the invisibility of a room: a personal essay[J]. Wasafiri, 2015, 24-33.
Authors:  Lo, Y. Y. P.
Favorite | TC[WOS]:0 TC[Scopus]:0  IF:0.3/0.2 | Submit date：2022/08/29
Drawing  a Room  Nushu  Women’s Script  Art Practice  Sexual Difference  
An (in)visible letter, a writing threading art practices across space and time Journal article
Lo, Y. Y. P.. An (in)visible letter, a writing threading art practices across space and time[J]. Third Text, 2013, 689-704.
Authors:  Lo, Y. Y. P.
Favorite |   IF:0.3/0.5 | Submit date：2022/08/29
nushu  women’s script  matriarchal script  letter writing  autobiography  practice of writing  practice of drawing  art  utterance  sexual difference  
An (in)visible letter Conference paper
Lo, Y. Y. P.. An (in)visible letter[C], Reykjavik, 2012.
Authors:  Lo, Y. Y. P.
Favorite |  | Submit date：2022/08/29
nushu  women’s script  matriarchal script  letter writing  autobiography  practice of writing  practice of drawing  art  utterance  sexual difference